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The Lion King the Musical
Since I was little, I like the movie ‘The Lion King’. The powerful music hit me every time I heard the songs. When I was little, I learned all the songs by heart. I loved the soundtrack. After the film, however, the musical impressed me, I thought that the movie was Disney’s best creation, but after the musical, my ideas changed. The film was now second next to the amazing Broadway musical. Listening to the songs of my childhood in real life struck a chord deep within my soul.
Some of Disney’s most famous music numbers are from the soundtrack of the Lion King, and real music geniuses came together to write them. Tim Rice is a lyricist who is familiar with a musical. He wrote the lyrics for Joseph and the unbelievable Coat of Technicolor dream, Jesus Christ Superstar, and avoid. At Disney, he continued to write the lyrics of the songs from Aladdin. Tim Rice’s partner, a young superstar named Elton John. If you have not heard of him yet, Elton John is a British singer-songwriter. His contribution to the pop music of the 20th century is extremely big. Together, Rice and John have written movie songs, such as ‘Circle of Life,’ ‘I cannot wait to be king,’ ‘Be prepared,’ and ‘Hakuna Matata’. Hans Zimmer wrote the score for the musical and Elton John, wrote the songs with Tim Rice. This model (score of a singer-songwriter, songs of a well-known pop artist) would repeat a few times later, but far from having this success ever again. The Lion King became the Disney musical more successful by all and the music played a crucial role in its success. Apparently, Rice did suggest John as his composition partner. His career was at its lowest, and his battles with several demons from that time were very influential. It was not an Orthodox election but an inspired movement. Together, they invented the true cornucopia of a soundtrack full of life and the spirit of the savanna.
Believe it or not, there is a lot of music in it Lion King that is instrumental. It does not really have lyrics. This music is called a ‘partition’ and usually fulfills an atmospheric function in the musical: it emphasizes the intense and emotional moments while melting into the background. The mark of the death of Mufasa is so shocking and can even make those without emotions cry. Hans Zimmer composed the score for the Lion King. In fact, Hans Zimmer composed the score for everything. Include the scores for The thin red line, Thelma and Louise, The code Da Vinci, Start, Spirit of the stallion Cimarron and The black knight gets up, among many other films and musicals. He has written scores for animated films, comedies, action films, dramas, and thrillers. To say there is a ‘Hans Zimmer style’ would be inaccurate, because it is actually a chameleon: He can compose music that fits into the atmosphere of almost all movies and musicals.
In the Lion King Zimmer focused on instruments that emphasize lightness and child-friendly style. As a result, the score of the Lion King is much stronger in wind and pipe than for example creation which has a large number of drums. It was a delicate balance, but Zimmer hit it square on. Unfortunately, the very popular soundtrack album released at the time of the movie did not pay much attention to the score. Of course, all songs were there, but only four scoring tracks and only 17 minutes lasted. Then ten years later a soundtrack of ‘Special Edition’, after the musical presented the score more fully. Then he added another song and a remix. The extraordinary album begins with the climax, the unbelievable ‘Circle of Life’: the famous reputation of Lebo M, the outstanding performance of John’s excellent song, and Rice.
The musical and the movie begin with the ‘Circle of Life’ as the beginning of a new day with the morning sun shining on the African plains. The atmosphere is very lively with happy and loud music. The atmosphere and the atmosphere are full of anticipation and emotions. This song is the opening, so it corresponds to the configuration of the songs of a new day. The atmosphere of anticipation becomes clear with the help of the music. When Simba is shown to other African animals, the music suddenly becomes stronger, showing the changing moods and emotions of the animals. The rhythm of ‘Circle of Life’ is pretty simple and rhythmic. This song uses the technique of legato, so the notes are generally long and often repetitive.
‘Circle of Life’ has an African tribal style. This piece first presents the voices of an African tribe singing an awakening in the plains. These early voices also determine the mood. This song is largely based on the voices of the African choir throughout the song. The accompanying soloists are supported by the choir. There are also several animal sounds during the song. This piece is also largely based on percussion. By adding the backup voices these instruments are combined, it is very loud and intense. When Simba is shown to the public, a panpipe starts playing a sweet melody and becomes quieter. These sudden quiet sweet sounds accompany the percussion and strong voices. The flute of bread and soft voices show the vulnerability and softness of a newborn.
The song Circle of Life has a great influence on the style of the Native African Americans. These singers can almost resemble a tribe of indigenous Africans who live in the plain and sing together in harmony. The sounds of the animals are also used in the song because the elephants are the trumpets, and I can feel how much it reflects the indigenous tribes living with the animals as they share the same territory, their friendship was therefore combined in this song. In addition to this touch of African music, the Circle of Life is also interwoven with soft rock and pop.
The melody of the circle of life varies between ascending and descending tones, especially when Simba is shown for the first time, the music goes down and falls silent. And then, when the other animals are shown, the music rises dramatically and becomes strong and powerful. Most of this song is played in major because it is loud, deep, and strong. The Simba baby scene is played in minor to reflect this helpless little animal. It is, above all, the perfect opening song for the movie and the musical. When this song first appeared in the Musical it is dark, then slowly an African sun appears.
The score then has the score ‘Did not your mother tell you not to play with your food?’ This is played while Scar is playing with a mouse. It’s a delicious mix of comedy and macabre, the exciting solo saxophone on both sides. The action of the typical room fights darker, wrongness. The Choir and everything then come back with ‘We are all connected’. This score presents the inspiring and inspiring song of the composer for the first time, a beautiful melody fuller beauty. For the first time also we listened to another Melody, a playful melody, as we hear in “Future King”. Although this first presentation is largely the complete treatment of the Lebo M African Coral. I think it’s probably the best clue.
Then in ‘Hyenas in the Land of Pride’ a black theme full of threats is present with the panpipe. In the second half of the “Moment of Light,” Zimmer will much happier, suddenly happier, and ends with a brief overview of the famous melody ‘Can you feel the love tonight’, And the next song ‘I can not wait to be king’ Almost sticky and happy and pretty charming. ‘Elephant Cemetery’ is a crazy piece, with a strange feeling in the first moments, an extravagant waltz, before the last moments are turned into a much darker area, including a particularly moving section that closes the room. Here and almost only here there is a slightly synthetic sound, which unfortunately makes it cheaper. There is no indication of the surprising ‘I tried to be strong’, full of emotions that look almost like a kind of requiem thanks to the choruses. The biggest song of the villain of the game is the next one: ‘Be Prepared.’ This song is quite dark and fast with a powerful pounding rhythm. ‘Simba is going to die’ is a very short piece that leads to another strong point in the score the spectacular piece ‘Stampede’, full of energy, emotions, and dangers. This is followed by one of the most moving pieces ‘Mufasa’s Death” This is a very emotional piece and it is really one of the best pieces in the score. The choral version of the main theme is just beautiful. The action that is completed makes this piece pretty exciting.
The theme ‘When You Come Back, We Will Kill You’ is full of tragedies and worries, real emotions, followed by a charming arrangement of the Main theme, which seems so intimate due to its minimal layout. ‘Bowling for Buzzards’ presents a great band of rides to dubno this is strange, but still it works.
Music can be responsible for many factors in a musical. The music can create the atmosphere, and develop the character and the conspiracy. The Lion King the whole musical is based on the behavior of African wildlife and is inspired by Shakespeare’s Hamlet and the life of Joseph and Moses in the Bible. Two songs that appear in the Lion King, I can not wait to be king, and Hakuna Matata are composed by Hans Zimmer and with lyrics by Elton John and Tim Rice, as I have said before. They show how Simba develops through sound, expressive techniques, dynamics, and timbre from a reckless young man to a respectable adult.
The sound of the musical element is an important factor in the development of Simba’s character. I can not wait to be king, it is sung by Simba, Nala, and Zazu. They take a trip to the cemetery. The song is set in the G key, meaning that the song plays in a happy atmosphere and demonstrates the innocence of Simba. The melodic outline of the piece has one geometric shape, this is the emotion that Simba needs to adopt to become the host of pride, as well as the enthusiasm of a child when he discovers something new and exciting. Harmonious features can be recognized in the song, emphasis, and emotion. Harmony uses syncopated chords to further enhance the optimistic character of Simba. There is also a reason between each sung section that highlights the playful topic. Toward the end of the song, a chorus appears and harmonizes with Simba. This shows that the animals accept Simba as their future king.
Another of my favorite songs from the musical is “Hakuna Matata”, this song shows that Simba should throw his concerns into the past where they should belong. This song plays Simba’s escape when his father dies and his uncle Scar warns him never to return. As expected, the sound is so important in Hakuna Matata and I can not wait to be king. The song is also in a tone of great happiness, which is the phrase ‘Hakuna Matata”, and ‘It means not to worry and to be happy. The past no longer exists. Hakuna Matata the melodic outline form is a wave to indicate and go through the ups and downs of life and that the past should stay in the past. Such an example exists when the sentence ‘Hakuna Matata’. Harmony occurs in this piece to emphasize happiness and in the words ‘is our philosophy without problems’. The harmonic feature is an opposite melody, suggesting that life styling problems should occur in the past and to forget the terrible things that happen in the world ‘Hakuna Matata ‘, and it is our problem-free Philosophy ‘ phrases which show how Simba has grown since his encounter with the meerkat and the boar. He does not allow his father’s death and the lands of pride to contaminate his thoughts. The tune of the counter seems to be optimistic to match the pop style of the song and the instruments. The opposite melody is very effective in describing the evolution of Simba’s character, meaning that his past does not conflict with the present. The song Hakuna Matata shows how Simba becomes a young adult who has given up his past and focuses on the future through effective manipulation of the musical elements. Hakuna Matata is a song of comic relief sung by a meerkat and a Boar voiced by Nathan Lane and Ernie Sabella, and it’s fun and charming.
Hakuna Matata uses dynamic and expressive techniques to demonstrate the maturity and evolution of Simba as a young adult. The text Hakuna Matata is sung on a piano when Simba is growing up and changing, this is to make an impact and to present the new lion to the public. It also shows that the ‘concerns’ of the past should not affect the future or the present. The choir uses strong dynamics, to show the words sung and give up all the burdens of Simba’s life, including his guilt. Elton John, the composer, and Tim Rice, the poet, have collaborated to describe Simba’s maturation during his stay with Timon and Pumba and therefore, how his character evolved. Speaking voices too included in this song help to show Simba, the young adult, starts to evolve. When he started singing, this shows his progress as a carefree personality and like his new-found friends has abandoned his obligations to live in the past, and lives in the moment. The style of the song is essential to demonstrate the evolution of Simba’s character. The piece has a jazz style that expresses laziness and the meaning of ‘Hakuna Matata” the song shows how Simba becomes a carefree person. With these examples of expression techniques and dynamics, Elton John meticulously described the growth of Simba as a lion.
After the song Hakuna Matata. We return to the murky waters with ‘We have a bone to choose from’, but it does not take long, until the soft and light return with the following ‘kings of the past, with a distinctive heavenly atmosphere. ‘Nala is that Really You’ This score contains a dynamic statement of melodic brass before it blends into a sweet passage. The spirit of the young friendship mingles with the song ‘Can you feel the love tonight’. From this moment the music shows the love between the two lions musically. The eight minutes of ‘Remember who you are’ included many inspirational ideas, most of the main themes of the score. This will become apparent over time. Sometime later, a second break between the scores in the musical is the moment return to open the glorious ‘It’s my home’ that has a big emotional impact, then a gigantic ending up to twelve minutes ‘The Future King, ‘which works great for the ending of the story through music and then we travel with a lot action with determination and through suffering for success by despair and hope, faith and love, some say this leads to the touching the ‘circle of life’, and then leads to the final Busa with the curtain call.
It’s a brilliant job, everything around the score and musical. John’s songs are everything and are very good with a few out of the ordinary. Zimmer’s score is even more effective with his continuity with the songs, not only because of the consistency with which he has in the organization of the musical themes. This is one of the best things that Zimmer has done with The Lion King score, in terms of their successes. Of course, they are perfect it is different from both styles. Alan Meyerson deserves a prize for his remastered music for the launch of the Lion King collection: there’s a lot of life, and much more detail, and both in the songs and the score, especially in the score there is much more instrumental clarity. Three of the Lion King songs were nominated at the Oscars and the opening ballad won predictably, as the ‘Circle of Life’ was clearly the most deserving, Zimmer came home with his first and so far only well-deserved statue. The songs are a mix of orchestra, African electronic voices, occasional calypso rhythms, bagpipes, and Elton. John works just as well as a package, but it is and it is Hans Zimmer who deserves the most credit. Certainly, he is the reason that the Lion King finally got the release, it deserves as a musical. This musical is full of cheerful humor, which makes this musical one of the easiest to enjoy.
In conclusion, the Lion King musical uses many musical techniques that help to set the mood and level of emotion. The opening song is by far the most well-known. I loved this musical and everything about it. The music had you on your toes as to what was going to happen next.
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