The Yangzhou Qingpu Slender West Lake Cultural Hotel

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Designers and architects pay enough attention to the ethical component of their work and often care about social changes in society. Through their creativity, they can demonstrate a commitment to culture and immediate problems and emphasize the need to solve them. The hotel’s design shows the problem of identity, which is a topical issue against the background of the humanization of the world and was critical for the creators of the epoch of classicism.

The Yangzhou Qingpu Slender West Lake Cultural Hotel is a work of art by the Chinese studio Neri&Hu, which designed the building. The hotel was built in a relatively recent 2017 in Yangzhou, China, and is a reasonably young representative of architectural art. This work of art and a place for recreation have good reviews and attract tourists for its unusual. This design’s moral problem is the issue of human identity, which is an essential factor in improving the quality of life. Thus, the design solution pushes people to consider and implement new solutions to social problems of contemporary concern.

Concern with the issue of personal identification is expressed in a delicate and, in some way, empty appearance, thus giving the human being the ground for thought. This statement may seem obscure, but it can be seen from the perspective of what a person means by “self-identification”. Now, this question concerns many young people, for whom it is essential to define a goal in life and understand what they want and how they want to represent themselves in society. Such minimalism and mystery in design help people to think about his existence, but to do it by clearing their minds without letting extraneous factors influence decisions. Both the consumer of the product and the designer need to show this problem in the building idea, as creativity is designed to improve human life. It is also essential for observers who are inspired by the example of design and develop the art discipline. Thus, the problem of self-identification is expressed in the intricacies of minimalism in design, which push a person to consider the importance of accepting oneself and choosing a life path.

Despite the modernity of the problem reflected in the design, it was also relevant to the historical period of classicism. A striking example of such a method is the eastern facade of the Louvre, which is distinguished by its harmony and simplicity of forms, and its appearance gives the person a sense of peace of mind. Modern design has both standard and different features, such as, for example, the type and materials of construction. The appearance of the contemporary model has sharper shapes, looks more minimalist than the luxurious Louvre columns, and is built from smoother materials. Both examples give visitors aesthetic pleasure, but the Yangzhou hotel also provides tourist accommodation, and its use is wider. A common feature of both buildings is the audience, which is the focus of the design because they are created for art lovers and people trying to figure out what kind of life they want. Thus, modern art has similarities to historical art in the context of harmony but differs in form and style.

In conclusion, the hotel I have chosen for consideration in Yangzhou is an example of neoclassicism that reflects the need for self-identification for humans. This idea is manifested in a minimalist and harmonious design, ideal for creating a comfortable thinking atmosphere. Implementing such a decision is essential for people interested in the problem because it can solve the issues deep in the person’s soul. It is typical of the epoch of classicism, and although some elements of design and its way may differ, the idea and orientation to a particular audience remain the same. In this way, innovation can reflect the importance of social problems inherent in society and help find solutions.