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Leonardo Da Vinci is one of the most celebrated and talented artists of the renaissance period, known for his Mona Lisa painting and several intriguing masterpieces that integrated scientific concepts with art. As a result, any film that features the works of Da Vinci is bound to grab individuals’ attention. ‘The Lost Leonardo’, by Andreas Koefoed is a classic that follows through the most recent citing of da Vinci’s ‘Salvator Mundi’. The film highlights the story of the painting after it was first purchased in 2005 until the period when it was auctioned as the most expensive art piece ever to be sold. From the beginning, the film is captivating and detailed, which substantially enhances its authenticity.
My favorite still film from the documentary is the enlarged image of the ‘Salvator Mundi’ because it reveals the complicated texture and fragility of the art piece. The painting is breathtaking in all its aspects and strongly draws its audience toward taking a longer glance at its finishing touches. However, the story behind the painting is far much interesting as no one would have imagined that it would reach a record sale of 450 million dollars. Following its sale, the director introduces the audience to the world of financial demagogues and how they operate. Art is one of the most valuable collections in the world, but powerful individuals use it as a loophole to move their money (Crozier, 2022). Introducing these concepts to the film significantly alters its feel and gives an audience something to think about and discuss.
The cinematic attributes of the film are also captivating as the camera crew adopts calculated moves to ensure that the audience is ushered into its reality. Throughout, the narrator shares valuable information about the piece while showcasing various instances where people hold discussions about its authenticity, thus enhancing the texture of the documentary. Although the Lost Leonardo is criticized for being more of a thriller, it is a perfect example of a high-quality presentation.
Reference
Crozier, E. (2022). The Durability of Authenticity: An Examination of the Art Conservator’s Role in Preserving Authenticity, Doctoral dissertation, Sotheby’s Institute of Art-New York. Web.
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