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The modern person’s interest in ancient tragedies is quite extraordinary. In their works many centuries ago, Ancient authors raised ethical and philosophical issues relevant to their time. After more than two millennia, these same problems find a response in the heart of modern man. A modern person unexpectedly finds answers to many difficult questions when he gets acquainted with the works of ancient poets, philosophers, and playwrights. This tragedy raises many questions, the importance of which is reflected and relevant even today, and the main character can teach people of the twenty-first century a lot.
The ancient Greek tragedy “Antigone” was written by Sophocles and narrates about a woman fighting against a royal decree that hurt her personal feelings and principles. Antigone is a girl who has crossed out her future by her act and has incurred the wrath of King Creon. She has the following features: courage, pluck, and some notes of asceticism. The heroic line intersects with the lyrical one: she cries and does not want to die, making Antigone a living person with a lively character. A distinctive feature of the main characters of Sophocles is their pronounced individualization.
The conflict began with the fact that Antigone’s brothers – Eteocles and Polynices – fought with each other and, unfortunately, died. According to the decree of the Theban king Creon, Eteocles was to be buried as a hero. The body of Polynices was ordered to be left unburied, under the scorching sun, as a traitor who went to war against Thebes. Disobeying the decree, Antigone herself buries her brother’s body according to the funeral rite established by the gods. For this, Creon ordered Antigone to be walled up in a cave, but the girl, faithful to her duty to fulfill sacred laws, did not humble before Creon. She preferred death to obedience to a cruel king and committed suicide.
The key feature of the image of Antigone is her fantastic willpower. She demonstrates this feature in the struggle with Creon for the right to bury her brother according to the ancestral rite. “I know that I will die— of course I do— even if you had not doomed me by proclamation. If I shall die before my time, I count that a profit” (505-510). She honors the ancient law of the tribal society, and she does not doubt the correctness of the decision made. Feeling that she is right, Antigone boldly challenges Creon. Sophocles’ Antigone consciously goes towards death, but, like any person, it is bitter for her to part with a life that promises so many joys to a young girl. She does not regret what happened, but about her dying youth, she is dying, not mourned by anyone.
By the power of her mind and a big heart that knows how to love, not hate, Antigone chose her fate, which confronted Antigone with Creon. Creon embodies the image of a stern and inflexible ruler who puts his will above everything. This man considers any resistance to his order as an anti-state act, and he is ready to apply the cruelest laws to people who go against the state. From the very beginning, the dialogue with Ismene reveals the strong personality of Antigone, which, according to the choir, she inherited from her father. “Be as you choose to be; but for myself I myself will bury him. It will be good to die, so doing” (80-85). Antigone is shown as a determined and firm girl who challenged the autocracy of Creon.
One of the most profound conflicts of modern society – the conflict between generic unwritten laws and state laws – is revealed in this tragedy. In the ancestral community, religious beliefs, rooted in the depths of centuries, prescribed a person to sacredly honor blood relations and observe all rites about blood relatives. On the other hand, every citizen of the polis in Sophocles was obliged to follow state laws, which sometimes sharply contradicted traditional family and tribal norms. Sophocles’ Creon is a supporter of the idea of unswerving observance of state laws, written ones. On the other hand, Antigone puts family and ancestral laws, sanctified by religious authority, above these laws.
The great tragedian wanted to carry out in his work the idea that for the happiness of the citizens of the polis, unity between state and family-generic laws is necessary. The condemnation of tyranny is also expressed at the end of the tragedy in Creon’s remorse and self-flagellation. The theme raised by Sophocles in the play is the theme of duty and family, which is still relevant to this day. Only a person whose thoughts are pure and whose actions are guided by virtue can realize the concept of duty and family and the need to defend it. Sacrifice in the name of the family is another cornerstone theme of this play, the relevance of which has not disappeared even today.
Unfortunately, the family is gradually moving into second place in the modern world, giving way to a career. People increasingly prefer to live for their pleasure, travel, build a career rather than start a family and have children. Of course, each person decides how to live, but the family was and still remains the foundation of human society. Antigone is a character who loves desperately and furiously; she does not put any restrictions or conditions on love. Perhaps this is the kind of dedication and passion that modern people lack because they most often prefer comfort and safety. On the other hand, Antigone represents love and rage, which neither the king nor even death itself will stop. The themes of self-sacrifice, love, family and the conflict between the written and unwritten laws are reflected in this play and are still relevant.
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