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The age of the 1980s is famous for the numerous rhythm and Blues (R&B) productions created by various artists. Different musicians presented their recordings in the new musical style, attempting to adopt and improve the novel technique. Two of such creators were Michael Jackson and Diana Ross, who are recognized as influential R&B artists throughout the world (Krohn, 2017). Michael Jackson’s Rock With You is a highly popular musical piece that occupied first place in the musical ratings for a significant amount of time. As for Diana Ross, her exceptional brilliance was manifested in the Upside Down recording, which was also extremely famous in the 1980s.
It is essential to outline the primary similarities between the two works. First of all, both of the songs represent the R&B movement, with the melodies utilizing tight-drum programming and string sounds primarily derived from the disco recordings (Patterson, 2019). Secondly, the songs illustrate exceptional electronic influence, with corrected voice pitch and active dancing beats. The production quality of both works is exceptionally stunning, involving multiple technological devices and post-production tempering.
Even though the recordings seem quite similar at first sight, there are several distinctions present. It is imperative to note that Michael Jackson implements the melisma technique, while Diana Ross refers to syllabic singing (Patterson, 2019). Additionally, there is a striking difference in the lyrics, with Michael Jackson addressing such topics as rhythm and grooving, singing to a particular female individual that he would like to dance with. In contrast, Diana Ross focuses on the expressions of love and her feelings toward a boy who she loves tremendously. Altogether, these songs are exemplary representations of the R&B movement, each of them possessing unique and distinguishable qualities.
References
Krohn, K. (2017). Michael Jackson: Ultimate music legend. Lerner Publications.
Patterson, R. J. (2019). Destructive desires: Rhythm and blues culture and the politics of racial equality. Rutgers University Press.
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