Paintings by Edward Hopper and Thomas Hart Benton

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Painting by Edward Hopper in the Museo Thyssen-Bornemisza

Hopper’s painting provides an insight into the America of the Great Depression. Most of Hopper’s paintings symbolize the crisis of modern life (Mazow, 2016). The artist ensured that the strong verticals and horizontals hold the parts of the painting together by making them thicker. The lines have also stretched from the ground to the sky of the painting, which grasps the artwork together and gives it a magnificent appearance. The diagonal of the bed conveys a feeling of movement, and the woman sitting on its edge depicts loneliness. The near-architectural elements fit with the lush paint systematically, making the painting more attractive.

Degenerate Art and video Art in Nazi Germany

Based on my understanding of ideas generated by arts, I think Americans can have a different approach to deal with the situation. Many Americans have learned the need to appreciate art and ensure that artists can use their talents to convey their messages. Modern art has been used by many people to educate societies about different issues in the community. Thus, Americans can encourage the government not to remove the paintings from state-owned museums. Degenerate art was designed to inflame public opinion against modernism in Germany, leading to different opinions among people (Kleiner, 2016). Thus, I also think that arts have the ability to sway popular opinion since many people focus on the message being depicted by the artist.

Identify and Detail

The artist of the painting is Thomas Hart Benton, it is named “Pioneer Days and Early Settlers” and was created in 1936. Benton was known as one of the individuals at the forefront of the regionalist and American realism art movements (Adams, 2017). Thus, the painting represents American realism art movement, which mainly depicts social realities. In this case, the subject of this work is to show lives and everyday activities of ordinary people. The audience can notice that individuals in the painting are engaging in different deeds, which is common in the American society.

References

Adams, H. (2017). . The Southern Quarterly, 54(2), 71-89. Web.

Kleiner, F. S. (2016). Gardner’s art through the age: A global history (15th ed). Cengage Learning.

Mazow, L. G. (2016). . Design and Culture, 8(1), 7-25. Web.

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