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Mark Dion originates from New Bedford, Massachusetts. Born in 1961, the artist received BFA in 1986 and an honorary doctorate in 2003 at the University of Harford, Connecticut. Dion’s artistic works describe the approaches in which public institutions and prevailing ideologies shape our comprehension of the natural worlds and associated knowledge and history (Art 21 PBS, 2012). According to the artist, his task is to stand against the dominant culture and challenge conventions and stereotypes.
In this respect, Dion introduces works that provide the difference between scientific, objective methods, and irrational, subjective impacts. The painter’s curiosity extols unusual orderings of specimens and objects. In particular, the artist heightens the role of scientific explorations in modern society by locating the basis of environmental politics in the origins of knowledge and history about nature.
Mark Dion is famous for his scientific installation where specific details and objects are used, including wooden structures, sketches of animals, stuffed birds, photographs, etc. All these installations and images introduce nature in different dimensions. Specifically, the author makes use of different materials to represent different displays of nature, as well as how it interacts with science. The confrontation of the natural and scientific world can be viewed in Dion’s installation called “Neukom Vivarium” (2006).
The greenhouse structure provides several themes for discussion since it represents a tree within a scientific context and can be discussed without it (Art 21 PBS, 2012). The given piece of art reveals modern outlooks on art from ecological perspectives. In particular, the author emphasizes the role of nature and science in shaping the current attitude of society to artistic exploration (Harvey, 2008, p. 187). Concerning this, the work under analysis proves the connection between natural and artistic worlds.
References
Art 21 PBS (2012). Art in the Twenty First Century. Web.
Harvey, M. (2008). Mark Dion. Art in America, 96(10), 187.
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