Feminism in “A Doll’s House” by Ibsen

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Benhabib, Seyla. “Feminism and the Question of Postmodernism.” The New Social Theory Reader. Routledge, 2020. 156-162.

Benhabib’s chapter, “Feminism and the Question of Postmodernism,” highlights the connection between feminism and postmodernism in contemporary society. According to Benhabib, the two concepts have become the “leading currents of time” (157). Western civilization and modernity can therefore be evaluated in line with feminism and postmodernism in society. In essence, the authors feel that the norms that constitute a culture should be criticized for a better future.

Charan, Dr. Swati. “Shift In the Role of Women In The Society: Through The Lens Of A Doll’s House By Henrik Ibsen.” International Journal of English Literature and Social Sciences, vol 5, no. 4, 2020, pp. 191-193. AI Publications.

In this article, the author examines the role of women in society through the issues presented in A Dolls House by Henrik Ibsen. Charan mentions that women’s role in society is changing as they no longer subscribe to the old manipulative habits. The main point presented in the article is that changes in social roles and cultural values are changing. Through Ibsen’s play, women are shown to be radical and committed to implementing changes in society.

Nasrin, Sohana. “New Ways of Activism: Design Justice and Data Feminism.” Social Movement Studies (2021): 1-5.

Nasrin examines the role of feminism in enforcing justice and human rights activism. This work is founded on activists’ role in fighting for perceived human rights. However, most have not considered that justice and feminism are interrelated. Nasrin’s main point is that social movements should consider activism through women’s rights and feminism.

Siagian, Farida Hannum, I. Wy Dirgeyasa, and Indra Hartoyo. “Feminism in Patriarchal Society Reflected in the Main Character of Perempuan Berkalung Sorbian Movie.” LINGUISTICA 7.3.

In this article, the author handles one of the core concepts in feminism; its varieties and forms. Siagian notes that there are three primary types of feminism: liberal, radical and socialist Marxist. These forms of feminism are evident in a patriarchal society, as shown through the author’s analysis of the Perempuan Berkalung Sorbian movie character. Essentially, the author’s idea is that women demonstrate feminism in various forms based on their motivating factors.

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