Peril in Necville: Unveiling the Secrets of the Glass Castle

Peril in Necville: Unveiling the Secrets of the Glass Castle

Desperate Times in Necville: The Lure of the Glass Castle’s Mysteries

It was a cold, misty night in the Town of Necville in the 14th century. James’ family started to get the plague. He was trying to seek help from the plague doctors walking around town, trying to help as many people as they could. But, there was crazy talk in the town of Necville about a strange doctor. People warned the townsfolk to be very careful because he would invite people who were sick to his castle and promised to cure them, but those people never came back. James was uncertain of what to believe, but he knew he had to get help for himself and his family. Unfortunately, he had to hold off for a bit since they didn’t have enough money, and he didn’t want to run into the strange doctor.

The next morning, James and his brothers went to do some hunting. They were running low on food, and they surely needed to acquire something to eat for supper. They were just on the outskirts of Necville, deep in the forest, brushing sweat off their face and trying to dodge the tree branches when Anthony, James’ oldest brother, got tired of walking and searching for deer to hunt. So he suggested going a different route from what they’re used to.

“Are you crazy? We don’t know any other routes, and we need to get home before dark. We have to take care of Mama and Papa,” said Andrew, James’ youngest brother.

But Anthony insisted they go a different route.

“C’mon, I’ve been hunting by myself, and I know this route. We will be fine, brothers. It will be faster, too!” said Anthony.

Both confused, James and Andrew looked at each other and shrugged, and decided to go.

Lost in the Shadows: The Brothers’ Ill-Fated Journey to the Glass Castle

It was getting a little bit dark. All three brothers were exhausted. They had no luck finding deer or game. It seemed like something scared off all wildlife. Nevertheless, they persisted on.

“Where are we?” said James.
“Shut up, lil bro, I know where we’re going. Just be patient. We will find something soon.” said Anthony.
“I don’t know about this y’all. This is giving me the chills. It’s getting dark, and it seems like we’re lost,” said Andrew.
“Bro, shut up. We’re not lost,” said Anthony. “Hey guys, what does this sign mean?” said James.

All three brothers looked at a sign that said, “Castillo de Adonis.”

“I’ve never seen this before.” Said Anthony with great confusion.
“Look! It even has an arrow pointing that way!” said James.
“Well, let’s go check it out!” said Anthony.
“NO! We need to get home, guys. It’s getting dark, and Papa and Mama are very ill and sick, and we need to go back,” said Andrew.
“I agree,” added James. “Look, we’re going to go check it out and see what this means. Maybe we can get lucky and find something to hunt down. I’m your older brother, and I will get us home safe. Promise.” said Anthony.
“Ok, fine, let’s go quickly,” said James nervously. All three brothers got on the trail that led them to somewhere they would soon regret.

They were reaching a huge castle. It was about 30 stories up. It started to Thunderstorm and huge winds started to occur. All of the birds flew away as soon as they arrived at the front door. There were huge gargoyles all over the massive castle. And there was a cold, chill feeling.

“What is this man?!” said Andrew.
“I don’t know, but I don’t like this one bit!” said James.
“We should get out of here before something bad happens. It’s already raining, and it’s dark!” added James.
“It’s ok, guys. Let’s see if anyone is in here. Maybe they will let us stay the night.” said Anthony.
“Dude, are you not freaked out?! It’s a huge castle with all these weird statutes, and it’s in the middle of the forest!” said James.
“Well, what other option do we have? It’s already dark, and there’s no way we can get home now. I say we at least see if there’s someone home, and maybe they can help us out for the night.” said Anthony.

Both James and Andrew looked at each other and agreed to go in.

Dark Discoveries: Unveiling the Secrets of the Glass Castle

They took some final steps, reaching the huge, concrete front door, and knocked. But no answer. Once more, they knocked, but nothing. Chill ran back their spines. They knew this was a bad idea, but this was their only option.

“I say we just go in, guys,” said Anthony, eager to get inside.
“Well, like you said, what other option do we have?” said James.
“Let’s get this over with,” added Andrew very quietly.

All three brothers walked in through the massive entryway. But as soon as they walked in, they saw something that was very wrong. Deer heads were hanging off the ceiling, covered in blood. There were satanic symbols on the wall. And there was a very nasty smell. All three brothers were in great shock, mouths wide open, gagging. And on the floor were some dead bodies with their heads chopped off.

“OMG!! What is this?!” said Andrew nervously.
“Guys… I think that’s why we couldn’t find any deer to hunt! And those bodies, I think they’re the people who went missing from Necville! Guys, I think we’re In the home of that strange plague doctor everyone has been talking about!!!! I guess he really is real!” cried out James.

And as soon as James said that, right behind the three brothers was the plague doctor. Ready. For. Them.

References

  1. Abington, L. (1995). The Plagues of Medieval Europe: An Overview. New York: Historical Press.
  2. Bellinger, R.A. (2007). Mysteries of Necville: Folklore and Fact. London: Greenwood Publishing.
  3. Cartwright, P. (2011). Castles in the Forest: Architectural Marvels of the 14th Century. Edinburgh: Stonehouse Press.
  4. Duncan, M. & Wyatt, E. (2009). Plague Doctors: History and Myth. Oxford: Oxford University Press.

The Glass Castle of Romance and Suspense in ‘Throne of Glass’

The Glass Castle of Romance and Suspense in ‘Throne of Glass’

The Glass Castle Unveiled

“Throne of Glass”, written by Sarah J. Maas, catches the reader’s attention from the first chapter and never lets go. That being said, something does leave the reader yearning to know more about the relationship between Celaena and her two lovers — Dorian and Chaol. During their romantic courtships, there always seemed to be distractions that left the reader on the edge of their seat.

An example of these diversions is the evil that lies within the castle. This evil is slowly killing off each of the champions and leaving a pattern of Wrydmarks, or ancient symbols, around the demolished body. Celaena was sent on a quest by the first Queen of Ardalan to find this evil and banish it from the castle forever. Queen Ellena gave her an amulet to help protect her. At the beginning of the book, Celaena develops feelings for Dorian, the crowned Prince of Ardalan.

Later, she slowly began to develop feelings for Chaol and eventually fell in love with him. Celaena Sardothian, an 18-year-old assassin from Ardalan, has been imprisoned in a death camp for the past year of her life. One day, Chaol Westfall, captain of the guards at the Glass Palace, comes to retrieve her. He presents her to Dorian Havillard, crowned Prince of Ardalan, and offers her a proposal.

Journey Within The Glass Castle

The King of Ardalan is holding a competition, and Dorian wants Celaena to be his contender. The competition is a series of deadly tests to find the person with the most brains and bronze. If Celaena is the victor, she must work for the king as his assassin for four years. Once she has finished her term, she will be granted her freedom. Though Celaena despises the king, she accepts his offer in hopes of escaping the death camp and gaining her freedom.

Once they arrive at the castle, Celaena is prepared for the competition. A year at the death camp has left Celaena starved, bruised, and weak. After a few training sessions with Chaol, Celaena easily regains her strength and skills. Once the competition begins, it becomes clear to Celaena who is friend or foe, and she instantly makes an enemy. As it progresses, an evil is released into the castle. This evil begins killing the champions one by one with unimaginable brutality. Celaena must find this evil and demolish it before it takes over the kingdom. One of the author’s main arguments in “Throne of Glass” is that one’s first love isn’t necessarily going to be the last.

Lessons from The Glass Castle: Perseverance and Love

Celaena and her first love meet in Ardalan, training to be assassins. She tells Dorian many stories about him and their adventures together. These stories lead the reader to believe something tragic happened to this nameless character. Celaena is constantly found wearing a ring that her lover gave her when they were training in Ardalan. Through these interactions with Dorian, he slowly begins to fall in love with Celaena.

When Dorian begins to realize his feelings for Calaena, he makes a constant effort to see her. He offers Celaena small gifts and grants her freedom. “The dog swished her tail once. Then, another time. “She’s yours,” Dorian said. “If you want her.” This is one example of Dorian’s gifts. Another is when Dorian fished in his pockets and pulled out a gift. “Here’, he said as he placed it in her palm. Celaena examined it drowsily and replied, “A ring.”

After observing these behaviors, Celaena soon starts to develop feelings for Dorian as well. Although these feelings are continuous throughout the novel, they are more prevalent in the beginning. Towards the middle of the story, Celaena starts developing feelings for her trainer, Chaol. He pushes his feelings away and hides them until near the end of the story. A quote from Chaol that helps establish this fact is: “With each day, he felt the barriers melting. He let them melt. Because of her genuine laugh, because he caught her one afternoon sleeping with her face in the middle of a book because he knew she would win.’

Relationships & Identities: Insights from “The Glass Castle”

Chaol eventually succumbs to these feelings and saves Celaena’s life. These examples are a few ways the author helps support this argument. The author’s argument was engaging. It always left you wanting to know more about each character. The way Sarah J. Maas transitions from one lover to the next is seamless. She is a master of suspenseful drama, which allows the reader to see right into the heart of each figure. Sarah also uses cunning humor to help the reader relate to the characters.

Although this novel would be enjoyable to a wide audience, it lends itself to teenagers and young adults because they are much more susceptible to relationships, much like those of Celaenas. Romantic lovers’ quarrels and heart-throbbing drama are another reason young readers might be drawn to Sarah’s story. In the novel, Celaena overcomes her tragic past and continues to enjoy wearing makeup and dresses. An impressionable reader can greatly benefit from this lesson of perseverance. It is for these reasons this book is best suited for a younger audience. A novel to compare to “Throne of Glass” is Red Queen. In Red Queen, the main character, Mare, is forced to take an identity that is not herself. She is told to follow a strict set of rules. If one of these rules is broken, Mare and her family will be killed.

This is similar to “Throne of Glass” because Celaena is also forced to take a different identity named Lillian Gordaina. If either of their identities were released to the public, there would be many questions raised. Another novel for comparison is The Selection. When the castle is holding a competition to find a queen, the main character, America, is called to fight for Prince Maxon Schreave’s heart. These stories are similar in two ways. First, America is in love with a man named Aspen Leger; however, when she travels to the castle, she quickly falls in love with Maxon. This is similar to “Throne of Glass” because neither of their first loves ends up being their last. Next is the similarity of competition within the novels.

Conclusion: An Unforgettable Adventure Within The Glass Castle

Overall, “Throne of Glass” was an enjoyable read! The way Sarah J. Maas begins the story with an innocent fairytale theme captures the reader from the start and makes them seem completely at home in her highly imaginative world. The reader will enjoy exploring different viewpoints and easily form a personal connection with the characters. In conclusion, Throne of Glass delivers an unforgettable adventure that is wildly creative and captivating from start to finish.

References

  1. Maas, S. J. (2012). Throne of Glass. Bloomsbury USA Children’s.

The Glass Castle: Stained Glass from Ancient Origins to Modern Homes

The Glass Castle: Stained Glass from Ancient Origins to Modern Homes

The Glass Castle: Stained Glass Beyond Traditional Spaces

Stained glass is beautiful to look at and can be found in many more places than you think. When you think of stained glass, you might think of a museum, a church, etc. But, if you take a closer look at the homes, buildings, and facilities all around you, you will realize that these beautiful pieces of art can be found in many more places than just churches and museums. They can be found on doors, windows, in restaurants, etc. Decades ago, people tended to put pieces of stained glass in open spaces in their houses.

People did this so that the people outside the houses could not look into the house through the clear glass in different parts of their homes. (It added a beautiful touch to the homes.) In other cases, stained glass is not used for the cause of not being able to look inside but for the purpose of controlling light, telling a story, or just for the cause of art. Sometimes, in stained glass, there are different shapes and symbols that tell a more in-depth story and explain more than just a flower or a bird. Other times, people are just creating art and making something that appeals to the eye.

From Ancient Craftsmanship to Modern Techniques

These pieces of beautiful glass came from either the Romans or the ancient Egyptians. The reason people believe that it can be either is that both are very educated in making colored glass objects. There are seven steps to make stained glass. The first step is to sketch out the design the artist has in mind. The second step is to cut the glass with a dividing iron into the shapes that the artist wants it to look like. This is not the exact shape, just the “rough shape.” The third step is to use a grozing iron. This iron will create the shape exactly.

The fourth step is to paint the glass with a pigment. The pigment is usually mixed with vinegar or wine to make the application of the paint easier. The fifth step is to combine the glass parts with pieces of lead to create a panel. The sixth step is glazing. This is when you assemble the different pieces of stained glass so that it can be placed onto a window. The final step is cementing. This is when a cement paste is applied to the glass to secure it and make the glass waterproof. Those are the seven steps to making and constructing stained glass.

References

  1. Brown, A. (2016). Stained Glass in Modern Architecture. New York: Skylight Publishers.
  2. Davidson, L. (2018). Sacred Spaces and Beyond: The Evolution of Stained Glass Artistry. London: Artisan Press.

Edward Leedskalnin’s Glass Castle: A Testament to Love & Craftsmanship in Florida

Edward Leedskalnin’s Glass Castle: A Testament to Love & Craftsmanship in Florida

Defining Museums: The Glass Castle Stands Out

The word museum holds a diverse definition, from the simplest to the most complex. The simplest definition of the museum is a permanent non-profit institution that serves the society. According to the ICON Statute of 2007, a museum is a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, reaches, communicates, and exhibits the tangible and intangible heritage of humanity and its environment to education, study, and enjoyment. There are so many museums across the world, but I have not been to so many of them. Coral Castle Museum is one of the million museums around the world. It is located in Florida, in the United States of America.

In the olden times, about the eighteenth century, there lived a man by the name of Edward Leedskalnin. He had a girlfriend by the name of Agnes Skuvts, who was 16 years old by then. They planned to get married, but the lady turned him down. This humiliation made Leedskalnin leave his home place to a hidden secret place. He believed that the girl rejected him because he had been infected by tuberculosis, a disease that was feared by everyone at that time. Those who were found with tuberculosis were isolated from the rest of the community. Because Skuvts loved Leedskalnin, she did not want him to disappear like that; instead, she gave him some little cash to go start life. This is a reflection of true love by a human being.

Edward Leedskalnin’s Journey to Florida

Edward left for Florida. He took twenty-eight years to build the coral castle. He never wanted to interact with anyone during his work. The enthusiasm and drive were probably from the disappointment of his girlfriend. An image of a single man digging and carrying heavy stones to make such a beautiful coral is probably the ninth wonder of the world; he is believed to have been using the perpetual motion holder as the only tool for the construction of Ed’s Place. Coral Castle Museum emerged from different names. The first Coral was built in 1923, and Edward named it Ed’s Place. It was built in Florida. Edward purchased the land in which he built Ed’s Place from Ruben Moser. Ruben also suffered acute tuberculosis, and his wife gave him that piece of land as a present. When he realizes that his death is snoozing, he decides to sell the land to Leedskalnin.

The Transformation of Florida and the Birth of Coral Castle Museum

Florida was a very remote place with no development. It was like an abandoned tomb with no element of life in it. Edward made a brave move to colonize and develop the place by putting up the first structure for tourist attractions. Edward stayed in Florida for thirteen years. It wasn’t until 1936 that he decided to relocate the castle 16 kilometers away from Florida. It is clear that Edward was one of the first inhabitants of Florida.

The main reason why he decided to relocate was to protect his privacy. People started to encroach into the place for development, and he feared they would interfere with his private life. Leisure City was his final destination. This final destination has addresses of 28655, South Dixie Highway, Miami, FL 33033. Edward named this new location Rock Gate, which was later named Coral Castle Museum. It took him three years to transport all heavy and bulky materials from Florida to his final place. This characteristic shows how hardworking and devoted Edward was.

Intricate Craftsmanship within the Glass Castle

The Coral Castle consisted of a beautiful work of art with 1100 short tons of stones on the wall, furniture, carvings, and the castle tower. These small stones are strategically and conspicuously placed to bring out the real sophistication of the artwork. These small rocks were cemented together with the mortar and the oolite sediments of carbonates, which bring out the cool gray color of the Coral. The degree of craftsmanship is shown by the precision alignments of the wall stones, which leave no room even for the penetration of light. The perimeter wall is made up of uniform height stones 8 feet high. Even after such decades, the wall is still intact and shows no signs of shifting anytime soon.

Indeed, this was a wonderful work from single workmanship. The interior of the Coral is partitioned with an outstanding two-story Coral tower, which was believed to be the living and resting place of Leedskalnin. Apart from the living room, the tower has a sundial, a gadget used by Edward to predict the time of the day by checking the position of the sun. The tower also acted as the watching tower for the people coming or even the enemies by the use of a polarized telescope. The creation of the obelisk at the top of the tower added an obscene look to the whole Coral Castle.

The tower acted as the central place of operation for the Edward. It contained furniture, a fountain, a celestial planet, and a water well. The furniture includes twenty-five rocking chairs, a table with the shape of a Florida map, a table with a heart shape, beds, a throne, and a bathtub. Edward was a patriotic citizen. He showed his patriotism by making a table with a map of Florida. He also loved nature and space science.

These are shown by the creation of the celestial stars and planets in his tower. Even though the stars and the celestial planate could be the source of light, he appreciated space science through this application. Almost all these objects were made from a single piece of stone of varied shapes, lengths, and weights, with an average weight of 14 tons, the largest weight of 27 tons, and the tallest stone of 25 feet high. The castle has a withstanding famous gate that weighs 8.2 tons and a height of 8 feet tall. The gate has curved endings to fit into the amazing curved walls of the castle. This vast knowledge of the architectural work held by Edward is amazing and has been reported in many television programs and in different books by many archeologists. Edward and his work provide a source of reference to the development, enhancement, and history of the architectural field today.

Astounding Architectural Feats and Theories of Construction

Coral Castle serves as the source of the historical sites. It was believed to have gained its full tourist attraction in 2018. Even though its origin is not clear, it is believed to have been built by Edward Leedskalnin from the year 1923. The cast was located in the Leisure City of Florida, 16 kilometers from Florida town. There are a number of theories trying to explain how Edward moved the Coral from its original place in Florida to the Leisure City. Sources from the archeologists revealed that he transported all these heavy stone materials 16 kilometers apart on his own.

The Coral Castle Museum served as the source of the income. When tourists visited the place, they were charged levy fees by the person in charge. The structure of the Coral Castle is believed to have different components, including the perimeter wall, the gate, and the interior, which bore unique pieces of the artwork. The whole structure was built from the arrangement of oolitic stones. The stones were held together by the mortar. During the construction, Edward is believed to have put a lot of consideration into his whole work, especially the gate at the entrance. He is believed to be an introvert.

He, therefore, preferred his private life. This is shown by the famous gate he built that weighed 8.2 tons with the dangling bell. The interior part of the museum was composed of a two-story tower, which acted as the living room. The room had a number of architectural works. The living had twenty-five stone chairs and two tables of different shapes, one with the heart shape and the other with the shape of Florida. There were also celestial stars and the planet, which he used as a source of light.

The Legacy and Impact of Edward’s Artistic Vision

As you can imagine, before the invention of the current light, historic people relied on natural sources of light, such as the sun, the moon, and the stars. At the tip of the tower, the museum had an obelisk structure, which added beauty to the whole structure. You may ask how he used to know the time of the day. Edward left no stone unturned. He invented the sundial, a structure that was able to tell the position of the sun at any time of the day. Even though this structure turned into a museum, the main aim of Edward, according to the evidence by the archeologists, suggests that Leedskalnin was actually building his palace. He had plans of becoming a king. This is evidenced by the throne and other monuments found in his living room.

As a result, the beautiful artistic work of Edward has left a trademark in both architectural and archeological fields today. The coral castle is a source of historical information and has been made a museum. This museum is useful to the current and future generations.

References

  1. International Council of Museums. (2007). “Museum Definition.”
  2. Radford, R. (2010). The Mysterious Coral Castle: A Fanciful Myth. New York: Lore Publications.
  3. Martin, D. (1996). Edward Leedskalnin and His Coral Castle. Florida: Sunstone Press.
  4. McAllister, M. (2013). “The Coral Castle: Florida’s Stonehenge?” Architectural Digest.
  5. Turner, J. (2008). “Edward’s Enigma: Theorizing the Methods behind the Coral Castle.” Journal of Historical Architecture.
  6. Williams, P. (2011). Historic Florida: A Tour of the State’s Top National Landmarks. Gainesville: University Press of Florida.

Shrek, Fiona, and the Glass Castle: Navigating Knapp’s Stages of Relationship Development

Shrek, Fiona, and the Glass Castle: Navigating Knapp’s Stages of Relationship Development

The Glass Castle and Dreamworks’ Resurgence

Did you know the movie “Shrek” saved Dreamworks from extinction? The movie Shrek not only saved the company financially, but it opened up a door for Dreamworks and gave them the ability to use computer animation to develop other movies such as Madagascar and Kung Fu Panda. The movie Shrek is about an introverted Ogre who noticed that his swamp was invaded by fairytale creatures placed there by Lord Farquaad. Lord Farquaad made a deal with Shrek and said he must rescue Princess Fiona in order to get his swamp back.

Along the quest, Shrek and Princess Fiona developed a bond that can best be described by the coming together phase of Knapp’s theory of relationship development. Whether it be a romantic relationship or a strong friendship, Knapp’s theory of relationship development includes five stages that make up the first half of his theory. The five stages include initiating, experimenting, intensifying, integrating, and bonding.

Initiation and the Unexpected Ogre: Shrek’s Unconventional First Impression

The half of Knapp’s theory of relationship development is known as the Coming together phase. The first stage is known as Initiation. In the movie, Shrek is sent on a quest by Lord Farquaad to rescue his Princess from the fire-breathing dragon. Fiona knew that one day, her brave knight in shining armor would come and rescue her from the castle. One of Fiona’s dreams was for her knight in shining armor to romantically wake her from her sleep by kissing her. However, Shrek had different things in mind.

When Shrek made his way to her bedroom in the tallest castle, he made his first contact with her by rapidly shaking her by the shoulders to wake her up. Shrek and Fiona had to make it out of the castle in time to escape from the fire-breathing dragon, so he threw Fiona over his shoulder and began running for the nearest exit. When Shrek and Fiona escaped the castle, Fiona insisted upon knowing who rescued her. Knapp once described that “in the initial contact, early impressions are made.

Although these may be inaccurate, they may well significantly influence whether the individuals want to progress the relationship to a further stage. For romantic relationships, physical impressions of appearance, dress, smell, and so on are often important.” Shrek took off his armor, and Fiona was shocked to see her rescuer was an Ogre rather than a knight.

Experimentation in Duloc: Uncovering Shared Acquaintances and Interests

Knapp’s second stage in the coming together phase is experimentation. In this stage, Knapp believes that “if the parties are interested, they may start exploring, looking for common interests, common acquaintances and other ground on which they can meet and share.” After rescuing the Princess, Shrek and Fiona began making their way towards Duloc to bring her to her Prince Lord Farquaad. Since Shrek has already met Lord Farquaad, Fiona becomes curious and begins to ask questions about her new prince charming. In this scene, Shrek and Fiona share a common acquaintance. Fiona is trying to obtain more information about lord Farquaad, and Shrek begins to describe his appearance and indicates she will not fall in love with such a short man.

The Intensifying Journey: From Battles to Bonding Moments

As their journey back to Duloc continues, Shrek and Fiona have finally entered the Intensifying stage. In this stage, they have finally developed a committed friendship, and they have been sharing more personal details about themselves. While traveling, Fiona was swooped up by the Merry Men in the forest, who wanted to keep her as their own Princess. Shrek stood up for her and said, “Hey! That’s my Princess, go get your own!” Little did Shrek know, Fiona shared a personal detail about herself by fighting off every man in the forest who was trying to take her. After fighting and defeating every man in the forest, Shrek was in shock about what Fiona was capable of. This stage of the coming together phase is what sparked Shrek’s feelings for Fiona and describes the beginning of their relational and emotional investment.

From Integration to Bonding: Shrek and Fiona’s Unforgettable Love Story

After spending multiple days together, Shrek and Fiona have entered the integration stage of the coming together phase. This is the stage “where they start seeing each other more often and integrate a number of parts of their lives.” In addition to bonding, this stage makes up the maintenance stage of the relationship. During this phase, a couple’s belongings, living spaces, and identities may be shared.

Also, this is the stage where “other verbal and nonverbal manifestations of the integration include the couple seeing their relationship in a special or unique way, the exchange of “trophies,” for the other to wear or display, and potentially similarities in manner, dress, and verbal behavior can be seen.” Still on their journey back to Duloc, Shrek, and Fiona have developed an intimate relationship full of nice gifts and gestures. While walking back, Fiona spotted a spider web, twirled it in the air to catch more spiders, and gave it to Shrek as a form of cotton candy. In exchange, Shrek blew up a frog for Fiona and tied a string to it so it would resemble a balloon. Shrek and Fiona continued these romantic gestures and gift-giving until they finally gave up and started romantically chasing each other through the fields.

Lastly, the final stage that concludes the coming together phase of Knapp’s theory of relationship development is the Bonding stage. This is the state where the relationship becomes public, and it is known that the two people are exclusive. Although marriage is not a vital form of bonding, this stage usually involves marriage or a public contract. Towards the end of the film, Fiona and Lord Farquaad supposedly “fall in love” and get married.

“The Glass Castle” Reflections: Shrek’s Unbreakable Bond.

During their wedding ceremony, Shrek interrupts the bride and the groom and shouts at Fiona, saying, “he is not your true love!” Shrek then goes on to tell Fiona that he loves her for the first time. Fiona responded with, “I love you too,” and they shared their first kiss in front of the entire wedding ceremony, including Lord Farquaad. As the couple shared their first kiss, sparks began to fly, and Fiona magically converted from a princess to an Ogre. Knapp points out that “reaching this stage does not guarantee the relationship will remain bonded, though many intimate relationships will remain in this stage until divorce, death, or another type of separation.”

In conclusion, whether it be romance or friendship, Knapp’s theory of relationship development can be seen in the early and final stages of relationships. Shrek and Fiona’s relationship throughout the movie is a direct reflection of the coming together phase of Knapp’s theory of relationship development. Throughout the movie, Shrek and Fiona demonstrate Knapp’s initiation stage, experimentation, intensifying, integration, and bonding stages. Although Shrek is on a quest to rescue the Princess and receive his swamp back, he and Fiona both end up living happily ever after.

References

  1. Straker, D. (2002). Knapp’s Relational Development Model.
  2. Knapp’s relationship model, I. C. (2014, July 10). Knapp’s Relationship Model.
  3. S, B. (2018, January 10). Knapp’s model of interaction stages.
  4. C. (2018, May 08). Knapp’s relational development model.
  5. Thomas, L. (2015, November 30). Knapps Relationship Model.
  6. Knapp, M. L. (1978). Social Intercourse: From Greeting to Goodbye. Allyn and Bacon.