Highlighting the similarities between Elizabeth McCracken’s “It’s Bad Luck to Die,” Ray Bradbury’s “Illustrated Woman,” and Sarah Hall’s “The Electric Michelangelo,

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Highlighting the similarities between Elizabeth McCracken’s “It’s Bad Luck to Die,” Ray Bradbury’s “Illustrated Woman,” and Sarah Hall’s “The Electric Michelangelo,

Highlighting the similarities between Elizabeth McCracken’s “It’s Bad Luck to Die,” Ray Bradbury’s “Illustrated Woman,” and Sarah Hall’s “The Electric Michelangelo,” with each piece’s portrayal between a small tattoo artist and a tall woman who the artist first views as a canvas for his work. (“It’s Bad Luck to Die“ and “Illustrated Woman”). Talk about their relationship’s power dynamics and how—positively or negatively—tattooing has connected them.For women compared to men, especially at that period, the act of marking the body might have distinct meanings or effects. How the gender of the tattoo artist influences the power dynamic (please mention that these roles are flipped at the conclusion of “It’s Bad Luck to Die”); e) That the type and content of the tattoos (especially in The Electric Michelangelo) may have an impact on these. How women’s bodies are viewed differently than men’s, and how their tattoos often stand out in social or public contexts;

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