Zaha Hadids Style and Design Philosophy

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Table of Contents

Introduction
Zaha Hadid
Conclusion
Works Cited

Introduction

Architecture is an important art form, yet, having a clear and obvious purpose, it is often relegated to serving a purely utilitarian purpose. While experiments with form and function are not unique to architecture, the concept of utility restricted the opportunities of architects until Zaha Hadid, an Iraqi-British architect of Arabian descent, presented her ideas. Hadid managed to reinvent the entire approach toward architecture by shifting the focus thereof to the area where form meets function and expands it, thus creating unique and inimitable architectural art pieces. Herein lies the rationale for choosing Zaha Hadid as the focus of the paper; she pushed the boundaries of architecture, causing a shift toward a brief yet glorious moment of Neofuturism.

Zaha Hadid

Born on October 31, 1950, in Baghdad, Iraq, Zaha Hadid was influenced heavily by the Left-Liberal views of her father (Sera~in et al. 1182). She received mathematical education at the American University of Beirut, yet, later on, she decided to choose architecture as the main field of future explorations (Sera~in et al. 1183). Thus, Hadid moved to London to enroll in the Architectural Association School of Architecture in 1972.

After graduation, Hadid started her organization, designing unique projects that challenged the traditional perception of architecture. Some of her works include the extension of the Ordrupgaard Museum (completed in 2005), the London Olympics Aquatics Centre (completed in 2011), and the Innovation Tower in the Hong Kong Polytechnic University (completed in 2014) (Willett and Garfield). Hadids original ideas that incorporated the elements of neo-futurist and promoted luxurious architecture make her and her works a particularly interesting object of study.

Hadids projects received wide recognition due to the challenging ideas and the groundbreaking concepts that they presented. In 2004, Hadid was awarded the Pritzker Architecture Prize, which was the first time when it was given to a woman (Zaha Hadids Style and Design Philosophy par. 2). In retrospect, arguing the jurys decision is very hard due to the unique and masterful way in which Hadid designed her projects and the original ideas that underlay them. The distinctively unique appearance of each of Hadids designs was a testimony to her unparalleled talent and imagination.

Among the key works that Zaha Hadid created, one should mention the Heydar Aliyev Cultural Centre first. Built-in Baku, Azerbaijan, the art piece features the characteristic elements of Hadids style, including sharp angles and curves, as well as new materials such as glass fiber reinforced concrete and glass fiber reinforced polyester. The Heydar Aliyev Cultural Centre is particularly emblematic of her style since it embodies not only technological progress but also luxury (Tav_an and Akbarzadeh 4).

Looking back at the changes that Zaha Hadid introduced to the art and industry, one could argue that she coined the term luxury architecture (Zaha Hadids Style and Design Philosophy par. 1). Embracing uninhibited originality and the opportunities for future innovations, Hadids designs are imbued with meaning and spark visitors imagination.

Conclusion

By introducing the idea of expanding form with function in the environment of architecture, Zaha Hadid created fascinating and memorable projects, many of which are still in progress. The architect challenged the traditional perception of form and particularly the lines that should be used in construction, thus making the shapes and outlines of buildings expressive. With several projects still being in their inception stage, Hadids legacy lives and continues to inspire new artists. Therefore, choosing Hadid as the focus of the paper is fully justified by the impact that she left in the British and Iraqi culture.

Works Cited

Sera~in, Helena, et al. Womens Creativity since the Modern Movement (1918-2018): Toward a New Perception and Reception. Zalo~ba ZRC, 2018.

Tav_an, Cengiz, and Niloufar Akbarzadeh. The Effect of Language Patterns on Architectural Forms (From the Perspective of Semiotics on Zaha Hadids Works). Cogent Social Sciences, vol. 4, no. 1, 2018, pp. 113.

Willett, Megan, and Leanna Garfield. Zaha Hadid Changed Architecture Forever with These Designs. Business Insider. 2016. Web.

Zaha Hadids Style and Design Philosophy. Engel & Volkers, n.d. Web.

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Zaha Hadids Style and Design Philosophy

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