Historical Approach in Examination of Narrative in Wiebes Where Is the Voice Coming From?

NB: We do not resell your papers. Upon ordering, we do an original paper exclusively for you.

NB: All your data is kept safe from the public.

Table of Contents

Introduction
Main body
Summary
References

Introduction

Rudy Wiebes short story Where is the voice coming from? Focuses on life events of indigenous people and early white settlers. Wiebes work explores the conflict between Almighty voice and the Mounted Police and questions the aspects of reality in traditional indigenous stories (1974). The author examines how events are turned into stories that do not necessarily reflect reality with accuracy. Wiebes work is widely acknowledged for the way in which the story creates narrative tension through the deployment of fact and fiction. The purpose of this paper is to conduct a literature review of three critical articles written about Wiebes piece. Constructing a literature review will help determine which critical text provides a more comprehensive approach to the topic and offers more information to the research.

Main body

The first critical piece, written by John Thieme, explores the theme of tension between the deployment of facts and fiction in Wiebes story through the prism of historical accuracy. Thieme suggests that history itself is overly influenced by Western perception, implying that there is a tendency in Western history to provide causal explanations of traditional myth-oriented history (1982). According to Thieme, Wiebes story supports the theory that there is no absolute history, and therefore, the author decides to replace the historian with the fiction-writer (1982, p. 179). The article suggests that creating a narrative tension between facts and fiction emphasizes the importance of narrative in history to represent social and moral concerns.

Utilization of a historical approach is a common strategy in the critique focused on Wiebes works. Penny van Toorns book focuses on historicity in Wiebes stories, the discussion of Where the voice is coming from is placed at the very end, emphasizing its importance for understanding Wiebes approach to history. According to van Toorn, the title of the story implies the unidentified roots of the history, which supports Thiemes point on strong Western influence in constructing the historical timeline (1995).

Van Toorn perceives the contrast between facts and fiction in Wiebes work as internal dialogicity with the way the author questions the readers about the narrative voices provenance (1995, p. 196). Van Toorns critique of Wiebes work suggests that Weibe creates new worlds out of nothing rather than uncovering the truth in his works.

Finally, Milena Kali
anins critical article on the juxtaposition of facts and fiction presents a more modern approach to Wiebes work. According to Kali
anin (2017), the author creates narrative tension through the deployment of fact and fiction and by engaging the readers in putting together the pieces of the story as a puzzle. Moreover, it is emphasized that the final design of the puzzle remains mysterious while the narration acts as a driver for the readers conclusion and understanding of the storys meaning (Kali
anin, 2017, p. 171). The article suggests that by gradually revealing the details of the conflict, the narration allows readers to search for the truth in both factual and fictional versions of the event.

Summary

Summarizing the results of the conducted literature review, the critical text that provides more insight into the topic of contrast between facts and fiction as a foundation for narrative tension is Kali
anins article. As Kali
anins article provides a deep examination of Wiebes work and the authors creative process behind the narrative, it presents more value to the research topic. The other two articles by Thieme and van Toorn could also be used in the research. However, because the articles utilize a history-oriented approach, they lack details about the certain ways in which the author was able to build the tension between facts and fiction through narrative, which is covered in Kali
anins article.

References

Kali
anin, M. (2017). Fact versus fiction in Rudy Wiebes Where is the voice coming from? Neohelicon, 44, 169-176. Web.

Thieme, J. (1982). Scheherazade as historian: Rudy Wiebes Where is the voice coming from? The Journal of Commonwealth Literature, 17(1), 172-181. Web.

Van Toorn, P. (1995). Rudy Wiebe and the historicity of the word. University of Alberta Press.

Wiebe, R. H. (1974). Where is the voice coming from? McClelland and Stewart.

Click Here To Order Now!

Historical Approach in Examination of Narrative in Wiebes Where Is the Voice Coming From?

Do you need this or any other assignment done for you from scratch?

We have qualified writers to help you.

We assure you a quality paper that is 100% free from plagiarism and AI.

You can choose either format of your choice ( Apa, Mla, Havard, Chicago, or any other)