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New trade relations with neighbors and open borders were the main driven forces of technological innovation and scientific developments. The Silk Road joined the Asian countries and the West and created new opportunities for knowledge exchange and the proliferation of new ideas. Chinese people knew about the peoples living in the far west through trade and military expeditions. After all, Chinese armies projected the power of the Son of Heaven into the Tarim Basin, the Korean peninsula, and the northern reaches of modern Vietnam (Filesi 48). Chinese pilgrim monks and official travelers made the arduous journey to India and even further.
The great inventions were the magnetic maritime compass, printing with woodblocks and movable clay type, gunpowder and firearms, and large-scale porcelain production–had worldwide importance when they spread eventually to the rest of the world and profound consequences for China in the economic, military, and social realms (Riley et al 63).
Also, changes took place in including large-scale manufacturing, interregional and international trade, and market-based economies. In the closely related cultural realm, China became a center of education and information distribution, especially through the medium of printed books. n ceramics, for example, we see technical innovations in manufacture, the economics of large-scale production and distribution, and in the social realm the association of certain wares with particular groups and tastes as markers of distinction (Filesi 43).
The rise of landscape painting as an independent genre may have been linked with urbanization and changing land economies. Even art theories and symbolic forms became linked to the competition between interest groups and political factions. Some areas of cultural change that were relatively suppressed in the accounts of contemporary critics and commentators are as revealing as those aspects that were prominently celebrated (Filesi 45). No technology had a larger impact on China than that of printing, using engraved woodblocks, and including some experiments with clay movable type.
Works Cited
- Filesi, T. China and Africa in the Middle Ages, Routledge, 1972.
- Owen, S. The End of the Chinese Middle Ages: Essays in Mid-Tang Literary Culture. Stanford University Press, 1996.
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