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This work aims to explore a movie adapted from a play called “Hairspray.” This cinematic work is of particular interest because it is a representation of a well-known theatrical production, which opens in a new light through the prism of the director. The research underlines that “the movie is sometimes used as a medium to show social phenomenon, reflects the common truth of the society, or mirrors someone’s hopes, dreams, and fears” (Purnawan 1). Hence, at first glance, a carefree picture, imbued with fun and carelessness, raises one of the most difficult topics in society, racial discrimination in America. This method of transmitting a fairly relevant issue makes its perception easier while not taking away its significance and weight from it. It is also worth noting that all the basic elements of Aristotle were observed in this work and were put together to create a delightful picture. Everything, from the plot to the characters and the songs, was in harmony with each other. When watching a movie, viewers can easily relate to many problems of the main characters, which brings them even closer to them, thereby creating the best impression of the film. Despite its lightness, musicality, and fun, it also contains moments of sadness and uneasiness. They add complexity and structure to the film, emphasizing that this is serious work and not just a beautiful picture with dancing and singing. Thus, the film “Hairspray” is an excellent example of how a screen adaptation of a play can be a great success and overshadow the original work for some viewers. Despite the fact that not all people prefer musicals, this adaptation is a success with many critics and viewers, which is fully justified by its plot and topics that are raised in it.
Work Cited
Purnawan, Achmadyanta Bagus. “Tracy Turnblad’s Struggle Against Racial Discrimination In The Movie Hairspray.” Diss. Universitas Brawijaya, 2017.
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