“A Bronx Tale” by Robert De Niro

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Peeking through the curtain of the mundane life into the world of crime has always seemed fascinating to general audiences. Thus, being given an insider perspective on the subject matter is all the more exciting, as the reception of “A Bronx Tale” and its numerous iterations demonstrates. Adapted from a play of the same name, the movie has left me quite surprised and fascinated due to the unique artistic choices and especially the one-man-show perspective carried form the play into the film masterfully.

Furthermore, the elements that Aristotle singled out as crucial for building a robust and successful play have been incorporated and developed in the film as well. For example, the characters under De Niro’s guidance delivered terrific performance, conveying nuanced emotions and rendering the underlying message clearly: “I was getting two educations: One from the street and one from school” (De Niro). Furthermore, the plot delighted me with its unconventional approach, introducing truthfulness to the traditional mafia-related narrative. Similarly, the themes of justice and integrity raised in the film resonated with me quite strongly. The language utilized in the film was precise and descriptive, leaving a strong impression. Furthermore, the fast-paced rhythm of “A Bronx Tale” aligned with the nature of the story, introducing co0hesion into the film and serving as its main connective tissue. Finally, due to the incorporation of special effects, the movie represented an impressive spectacle.

Due to the use of unique perspectives and unorthodox tools for creating a specific atmosphere, “A Bronx Tale” was an undeniably memorable experience for me. It left an impact and encouraged further discussions, offering substantial food for thought. Therefore, with its close attention to details and masterful use of Aristotelian elements of the play, “A Bronx Tale” has become an important part of my overall cinema experience.

Work Cited

De Niro, Robert, director. A Bronx Tale. Savoy Pictures, 1993.

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