The Museum of Contemporary Art

NB: We do not resell your papers. Upon ordering, we do an original paper exclusively for you.

NB: All your data is kept safe from the public.

Table of Contents

About Exhibitions of Contemporary Art
Brooke Hodge and Her Works
Works Cited

About Exhibitions of Contemporary Art

Each exhibition at MOCA is a unique opportunity for people to enjoy the beauty of the world they live in and to see how the professionals recognize the main aspects of the modern world. The exhibition under consideration is “From the Recent Past: New Acquisitions” with 50 artworks which disclose the world of photography, painting, sculpture, and video to the visitors.

The works by Frydlender, Furnas, and Janes are introduced to the public by the senior curator Alma Ruiz (“From the Recent Past: New Acquisitions”). In general, the works offered have been created between 2003 and 2010, this is why it is possible to observe some new approaches at presenting artworks as well as evaluate the possibilities which were available at the beginning of the 2000s.

People from different countries are eager to donate this exhibition in a variety of ways: photos made by Guo Yilin are given by Rosette V. Delug and works by David Thorpe are introduced by the Drawings Committee.

Of course, this list is far from being full, still, these works are one of the most successful examples of how past and present may be united. The world of art is rich indeed, and From the Recent Past: New Acquisitions is a good opportunity to learn more about the methods of how art is made by and for people.

In fact, this exhibition is available to people from March to July, this is why those who have already got a chance to enjoy the beauty of photography or video peculiarities should encourage other people who want to know more and be closer to the ideas and works offered by the professionals from different countries and with different working approaches.

Los Angeles County Museum of Art (LACMA)

Vija Celmins: Television and Disaster 1964-1966 is the exhibition that is available to all visitors of LACMA. There are a number of periods during which people demonstrate their best qualities and the impact of cultural background of their vision of art. At this exhibition, it is possible to observe the works created by Clemins in the middle of the 1960s.

This amazing painter came to the United States from Latvia and showed her unique possibility to focus on one moment that could change the whole life. For example, her “Hand Holding a firing Gun” may cause a number of emotions: fear concerning inabilities to predict personal end, energy that comes from the firing gun or excitement that is observed as soon as the bullet reaches the target.

It is necessary to admit that the 1960 in many countries were characterized by violent treatment to people as well as to a variety of things. This is why it is not a surprise to find Clemins’ works devoted to violence, deaths, conflicts, and other examples of disorders.

In comparison to other exhibitions offered at the Museum, Vija Celmins: Television and Disaster 1964-1966 makes each visitor feel the taste of the 1960s and become a part of the history that was created long time ago. Technical background used by the painter seems to be a justified decision to prove how dry, scared, and, at the same time, passionate period is disclosed in Celmins’ works.

The exhibition may be found at the second level of the Ahmanson Building. It is open from March 2011 to June 2011 (“Vija Celmins: Television and Disaster 1964-1966”), so, many people still get a chance to enjoy the beauty offered by Vija Clemins.

Los Angeles Contemporary Exhibition (LACE)

Not many people are ready and able to organize an exhibition that could attract the attention of many visitors. However, the curator Cody Trepte is good at art exhibitions, this is why almost each his work becomes a unique chance for people interested in art to enlarge their level of knowledge. What Trepte chooses is the attention to Conceptualism in art with the help of which ideas are prioritized in comparison to forms.

At this exhibition, it is possible to find the works of four artists who contributed the sphere of Conceptual Art in the 1980s. They are Larry Johnson, Mitchell Syrop, Meg Cranston, and Sarah Seager (“On the Line”).

These people demonstrate the power of language in their artworks: it is not enough to present an idea, but it is more important to prove that form does not matter when the idea is considered. Text-in-art forms are preferable for this exhibition, this is why it is not only interesting to observe the achievements in the chosen sphere but also make use the words and slogans offered.

One of the most memorable works is introduced by Syrop and called “Why Does It Take a Lifetime”. The visitors are free to come to the Museum and share their opinions about conceptual works between March, 3 and April, 17.

If people want to reevaluate their lives or discover some new approaches at understanding the essence of life, they are welcome to the exhibition On the Line and think about their dignity and worth relying on the ideas offered by three amazing artists.

Sometimes, it seems to be so difficult to write about art and define the positive aspects of a particular exhibition. This is why if a person has a chance to look at works and feel the atmosphere of Conceptual Art, it is better to choose LACE.

Brooke Hodge and Her Works

The work of each artist is another powerful attempt to demonstrate how unique and unpredictable the vision of the world can be. The main theme supported in the works by Brooke Hodge is the idea of connection between contemporary fashion and architectural trend.

At MOCA, she was the curator of Skin + Bones: Parallel Practices in Fashion and Architecture where she made a considerable contribution to the world of art as well as architecture. What she finds obligatory to do is to pay attention to various details around: it seems to be better to introduce a work and create appropriate environment so that the visitor is able to comprehend the main message of the work.

With the help of her works, people are free to learn more about various types of identities: cultural identity aims at disclosing the peculiarities of the world around, political identity shows the conditions under which artworks are developed, and personal identity focuses on the ways of how people understand art and its trends.

One of the most significant ideas of Hodge’s works is to prove that it is easy to involve a person into the world of art and make him/her think about architecture as an integral part of human life.

In my opinion, the achievements demonstrated by Brooke Hodge are worth attention. She does not find it necessary to stop at one particular point but take any steps just in order to prove that she can do more. Her works involve many people as they have a number of grounds, and if you are not interested in one point, you may be passionate with another aspect of the same work.

Works Cited

“From the Recent Past: New Acquisitions.” The Museum of Contemporary Art, Los Angeles. 2011. Web.

“On the Line.” Los Angeles Contemporary Exhibition. 2011. Web.

“Skin + Bones: Parallel Practices in Fashion and Architecture”. The Museum of Contemporary Art, Los Angeles. 2011. Web.

“Vija Celmins: Television and Disaster 1964-1966.” Los Angeles County Museum of Art. 2011. Web.

Click Here To Order Now!