The Grounds of popularity of Jepsen’s Song “Call Me, May Be?”

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Rapid development of the World Wide Web and telecommunications has introduced tangible shifts in communication. Nowadays people all over the world have much greater opportunities for exchanging information and sharing their opinions on political, cultural, and social situation.

Specific attention should be given to the transition from personal, face-to-face communication to interpersonal and open communication via online channels and by mobile communication systems.

With regard to the above discussion, the writers Balouris, Shriver, and Sisario dedicate their articles to discussing the impact of social media development on shaping new forms of communication.

Their claims are specifically premised on the currently released song Call Me, Maybe? by Carley Ray Jepsen. The song content relates to the changing patterns in social interaction.

Balouris (2012), representing the Leadership Academic Blog, focuses on the importance of interpersonal communication, as well as how it is impacted by the emergence of mobile communication and social media. In particular, the author refers to such issues as appearance of a new generation whose communication will be dominated by social media.

Although Balouris (2012) does not criticize social media development, the author still notes, “some many things – tone of voice, facial expression, body language – are lost when conversation happen through a computer screen or phone screen” (n. p.).

Despite the loss of traditional distribution channels of information, the innovative techniques integrated by social media still have a positive impact on communication. This is of particular concern to development of online networks connecting people all over the world.

To prove the evident benefits of social media, Balouris (2012) provides persuasive statistics on constantly increasing percentage of users on Facebook ad Twitter. The new communication channels, therefore, have “…incredible power to make and shape the news and public opinion” (Balouris, 2012).

Apart from social dimension, the newly emerged online channels contribute to the development of political thoughts that provide various political campaigns all over the world.

Similar to Balouris (2012), Shriver (2010) does not confine to the discussion of Jepsen’s popular song and refers to other interesting contexts associated with it. In particular, the writer connects the issue of telecommunication with successful techniques that can be used while speaking with clients by phone.

The major recommendations are associated with note taking, anticipating, and pleasing the client. Telephone communication, therefore, is a new branch of science introducing efficient techniques for obtaining, sharing, and exchanging information.

In this respect, note taking of telephone calls differs much from similar process applied during personal meetings. Communication by means of mobile phones is much more complicated because it is very hard to predict the recipient reaction. At the same time, the speaker can also be more prepared to the conversation due to the absence of face-to-face confrontation.

Shriver’s (2010) advice on better phone communication relates to a business sphere rather than to daily communication, which points’ to the rapid integration of new social media to all spheres of life. Pleasing the client, therefore, is another recommendation that should be applied to attract consumers’ attention.

Similar to traditional communication, telephone conversation should start with attention grabbing phrases that will compensate scarcity of non-verbal approaches. In particular, Shriver (2010) stresses, “conference calls are great in working with other businesses around the country and even across the globe however it is limiting” (n. p.).

Despite the shifts in interaction, nothing can replace such modes of nonverbal communication as a friendly smile or a handshake. Cultural aspects of conducting business are crucial for meeting the need of globalized community. Shriver (2010) steps far away from the topic introduced in Jepsen’s popular composition, but the writer’s advice is quite helpful.

Social media influence is also recognized by Sisario, the New York Times journalist who also discusses the new hit by Jepsen, Call Me, May Be? in context of new communication patterns. The author also deliberates on the overall influence of social media on the music industry, as well as on other spheres.

In particular, there are bright examples of how such famous online media as YouTube is employed to advertize songs and influence public opinion. Tweeter is also used by popular signers, such as Justin Bieber and Katy Perry, to advertise their songs.

More importantly, Sisario (2012) stresses that the emergence of YouTube has made radio a less important social media device because “nearly two-thirds of teenagers listen to music on YouTube, more than other medium” (Sisario, 2012).

Such a tendency, therefore, has a potent impact on cultural perception, as well as on the necessity of music producers to change their advertising and commercial techniques. Within this context, the writer also analyzes Jepsen’s attitude to the internet, particular to its incredible impact on the spread of music.

Serving as a driving force, the search engines are powerful tools for promoting musical compositions. This domain of advertising could be regarded as a step forward in promoting commercial projects.

Although the World Wide Web takes advantage over the other media platforms, the radio has not lost its positions. In this respect, the author explains “There’s not a million-seller out there that doesn’t have radio play…but its first million generally doesn’t come from radio” (n. p).

The song presents a bright example of how social media can be employed for marketing purposes. However, the success of the venture has little support in terms of theoretical approaches worked out to use online media as a new means of promoting products.

The Internet does not allow the producers to predict consumer behaviors accurately. Nevertheless, conventional means of advertizing are not less efficient because the product success depends on many other aspects, such as economic, social, and cultural tendencies.

In fact, the use of YouTube videos has captured the attention of million users all over the worlds, which minimizes the use of such media platforms as radio and television.

Introduction of new communication devices, including social networks, mobile communication, and online media platforms, have contributed greatly to all spheres of life.

Nevertheless, all the articles discussed above do not exclude the value conventional personal communication in all aspects of life, should it music industry, business, or daily interaction. This is of particular concern to nonverbal devices of sharing, exchanging, and storing information.

Analyzing the grounds of popularity of Jepsen’s song Call Me, May Be?, the writers have managed to cover such important topics as the influence of media culture on communication, challenges of interacting by means of wireless devices, and the use of the Internet as a powerful marketing tool.

New generation of users, therefore, can adjust to a new social environment to achieve successful communication and develop new techniques compensating the scarcity of nonverbal devices that could be produced online.

References

Balouris, M. C. (2012). Call Me, Maybe? Marielena’s Presidential Leadership Academy Blog. Web.

Shriver (2012). Call Me, Maybe? Intern. Web.

Sisario, B. (2012). The new rise of a summer hit: Tweet it maybe. The New York Times. Web.

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The Grounds of popularity of Jepsen’s Song “Call Me, May Be?”

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