Features of French Romanticism in Camille Saint-Saens’s Music

NB: We do not resell your papers. Upon ordering, we do an original paper exclusively for you.

NB: All your data is kept safe from the public.

Table of Contents

Introduction
Main body
Conclusion
Works Cited

Introduction

It is important to analyze Camille Saint-Saens’s works in the context of French Romanticism because the composer often combined the elements of French Romanticism with features typical of other movements and music styles like habanera. As a result, it is possible to state that Saint-Saens’s music is rich, vivid, and complex. These effects are created with the help of interpreting the typical features of French Romantic music in the composer’s unique way. From this point, Introduction and Rondo Capriccioso in A minor are some of the most remarkable of Saint-Saens’s works. Arpeggios, harmonic themes, and chromatic sections attract the listener’s attention immediately, and there is an intention to discuss the use of these elements in Saint-Saens’s work in detail.

Main body

During the era of Romanticism, quick arpeggios were often used to create an additional effect on the music and listener (Flynn 52; Talbot 12). Therefore, this aspect needs to be analyzed with references to Saint-Saens’s music piece. While concentrating on the broad topic of distinctive elements and features making Introduction and Rondo Capriccioso in A minor unique, it is also possible to discuss the music piece from a large perspective and relate it to the era of Romanticism. This approach is interesting because it allows exploring the particular impact of French Romanticism on the composer’s style and vision. Thus, the composer’s manipulation of each element should be assessed (Fuld 112; Ratner 84).

Conclusion

The discussion of this topic is appropriate for concentrating on the particular style of Saint-Saens that was influenced by the tendencies in the music of the nineteenth century. The composer’s piece is unique and aimed at demonstrating virtuosic playing (Sharpe and Koekkoek Stierman 24; Auer 38). Furthermore, the composer accentuates the uniqueness of the piece with the focus on elements of the music popular in the nineteenth century.

Works Cited

Auer, Leopold. Violin Master Works and Their Interpretation. New York: Courier Corporation, 2013. Print.

Flynn, Timothy. Camille Saint-Saëns: A Guide to Research. New York: Routledge, 2004. Print.

Fuld, James. The Book of World-Famous Music: Classical, Popular, and Folk. New York: Courier Corporation, 2000. Print.

Ratner, Sabina Teller. Camille Saint-Saëns, 1835-1921: The Instrumental Works. New York: Oxford University Press, 2002. Print.

Sharpe, Roderick, and Jeanne Koekkoek Stierman. Maestros in America: Conductors in the 21st Century. New York: Scarecrow Press, 2008. Print.

Talbot, Michael. The Business of Music. New York: Liverpool University Press, 2002. Print.

Click Here To Order Now!

Features of French Romanticism in Camille Saint-Saens’s Music

Do you need this or any other assignment done for you from scratch?

We have qualified writers to help you.

We assure you a quality paper that is 100% free from plagiarism and AI.

You can choose either format of your choice ( Apa, Mla, Havard, Chicago, or any other)